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We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. Andros Taverna opens Friday in Logan Square, near a park way where customers will eventually be able to grab a pastry and coffee from the walk-up window and relax on a park bench. Right now, to reduce contact and the risk of contamination during the pandemic, Andros is offering pastry boxes.
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Eros & Thanatos

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"Eros" — ChicagoPhotoArt Tricia Koning Photo

It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone and in a sense everything could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent.
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Don't have an account? This chapter is a conversation among three students—Michael, Ronna, and Robert—and their professor Seth Benardete at the University of Chicago. In the chapter, Benardete talks about the human shape and what it meant for Plato or for Homer. The conversation focuses on the human shape in Socrates' myth in the Phaedrus and being human defined by having had some vision of the beings.
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