«You can download the full HD version of this clip at www.»
Add to collection. Remove from collection. Add to wishlist. Remove from wishlist.
Lea Elui G. Age: 27. The most gentle and sophisticated, short-term guest of your city, sensual and temperamental, I invite you to a voluptuous erotic date. I know what you want.
Ribald Tales of Canterbury / Tasty
The Ribald Tales of Canterbury ()
Colleen Brennan , F. Mike Horner meets and makes it with a female pretending to be an abbot Debra Lynn for safe travel on her pilgrimage to the pope. They camp for the evening, allowing Hyapatia a chance to get it on with none other than Something Weird regular Sharon Kelly aka Colleen Brennan. Then Hyapatia summons the devil Howard Darkley to get herself a three way with Marc Wallice and Tony Martino, which turns out badly for the three of them, but explains the whine of the gypsy violin…. Even the monk Elmo Lavino gets some under the table favors from a tavern wench Patti Petite.
Malin Akerman. Age: 25. Do you need to hide from the outside world and satisfy in bed ?! Oh, with me it is not enough that it is possible, I also very much want it. You will swim in the oceans and seas of my passion and tenderness!
THE RIBALD TALES OF CANTERBURY
Screenwriter, photographer and husband of actress Hyapatia Lee, Bud Lee made his directorial debut with these features shot back-to-back. They represent two of the last big budget 35mm X rated films to receive a theatrical release. Restored in 2k from 35mm Negatives 2. Original Theatrical Trailers for Both Films. Skip to main content.
Before video became the standard in the adult film industry, movie makers had to utilize conventional- and relatively expensive- methods of bringing their erotic tales to the big screen. That meant shooting on film. Many grindhouse porn flicks were shot on lower-grade 16mm but if there was a big enough "name" involved, investors would shoot the moon pardon the pun and go for a 35mm release. Generally, these films boasted production values that were far superior and often had the benefit of directors who were more adept at realizing their visions than the hacks who were simply obsessed with capturing the "money shots" on grainy film stock.